© Fernando Mena
The album Arpaora becomes the first source and reference in the history of Flamenco music where the harp acquires a purely flamenco language, discourse, and codes.
Born in the cradle of flamenco art, Jerez de la Frontera, Ana Crismán enters into an unexplored territory and investigates the infinite sonority of the harp, bringing it to the flamenco territory.
Like precursors such as Paco de Lucía who enriched the expression of flamenco, Ana enables this instrument to express all the styles of this genre with the personality and stamp of the harp.
Crismán invites us to share her first debut album Arpaora, a journey of her own compositions that begins with a zambra and extends through the most representative flamenco styles, bringing us innovation and her own flamenco voice.
Harp and Creation, Ana Crismán
Guest Vocals, Juan Motos
Production, Rocío Royo
Distribution, Sergio García
Calle de Manuel Silvela, 14
Underground: Bilbao (líneas 1 y 4), Alonso Martínez (líneas 4, 5 y 10).
Bus: 147, 37, 40, 21, C03, 3.